03.4.17

Change and transformation

“We’re mistaken to think there are things that exist solidly within the flow of experience that is our life. We think of who we are as something that’s permanent, that continues over time in the same unchanging form, independent of external conditions. We also think that the world around us exists in the same solid way. Yet whether we look at ourselves, at objects large or small, or at the conditions of life, we don’t find anything that meets those criteria. We see only change and transformation.” – #DzogchenPonlop #rebelbuddha

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02.8.17

Put Away Those Foolish Thoughts

Put away those foolish thoughts, and
hide from sight your vain ideals!
Instead, seek what the world enjoys:
love what beseems a proper role,
or find yourself a friendless fool.
Survive! Just learn to subliminate;
one must pretend, or play-act, at least,
defining both pursuit and its happy goal
using someone else’s dictionary.

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02.3.17

The Book of Forms (revisited, Round 3)

If wondering I’m again creating daily poems using each poetry forms from #LewisTurco’s #BookofForms, 3rd Edition. Currently in the C’s.

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02.1.17

Arts and Crafts

If you want to make your process seem “magical” or “other-directed” describe it as art, right? The “Art” of the Deal, a bullshit “artist”, The Art of War, The Art of Living. But that implies that “art” (a mystical convergence of talent and inspiration) is somehow separate from “craft” (a common integration of technique and practice), and is in fact not really a matter of technique and practice, that it is elevated above everyday workmanship to a semi-Divine state of production.

I call bullshit.

As an artist myself – a poet and musician, principally – I COULD say that what I can do and produce is NOT the direct product of endless repetitious hours of practice, physical endurance enforcing physical memory, and learning how to interpret the work of artists in a different way from the way that “non-artists” do (in my case, listening for different specific things in a musical performance or composition that correspond to techniques and practices I have studied and personally used). But no matter how I present it, it is still more science than magic. As far as I’m concerned, art IS a craft; and by that same token, if we consider Buckminster Fuller’s assertion that while he didn’t consider the beauty of a thing while it was being built or constructed, if it was not beautiful when it was completed, he knew it was wrong, any MASTERY of a craft is in fact art.

We consider the “arts” as “arty” as a way to imagine that we lack something necessary to likewise produce beautiful or eternal art, music, dance, sculpture, architecture – or to negotiate the perfect deal, turn the greatest profit, know which battles are key to winning a war, most effectively (and seemingly effortlessly) complete the most complex and convoluted projects on time, in scope and under budget. But the truth is what we lack, with the exception of perhaps imagination, is the propensity and willingness for hard work. Because ask any dancer: you must be willing to sacrifice a LOT of physical comfort to become a prima ballerina. You have to put in extra hours, behind the scenes, to make “art” seem effortless. Otherwise, what you portray is an “artless” incomplete mastery of craft.

Some would be offended by suggesting there is an “art” of medicine, of law, as opposed to a solid, craftsman-like “practice”. Because although practice IS a critical component of any artist’s training and maintenance, we imply a different kind of “practice” when we practice medicine or law. Or do we? Of course, calling these “arts” makes them seem too arbitrary, too subjective – because as the saying goes, we may not know what good art is, but “we know it when we see it”. And we know medicine, or the law? Again, I call bullshit.

An artist, then, must be considered among other things, a Master Craftsman; in the same way, a Master Craftsman is an artist.

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01.30.17

Science v Philosophy

I assume that one of the underlying purposes of psychoanalysis, of psychiatric treatment, is to get to a point where further psychoanalysis is unnecessary, that the neuroses in the patient have been identified, assessed, treated, and successfully mitigated or eliminated. In other words, the goal of therapy is to stop the need for therapy. To no longer be a recovering neurotic, so to speak, but instead to be a non-neurotic.

As someone who eight years ago stopped smoking cigarettes, I can relate. But for me, the key to quitting was to stop referring to myself as a ex-smoker, as a “recovering nicotine addict”. The only way I could stop, cold turkey, and never think of picking up another cigarette was to think of myself as a non-smoker. A non-smoker would never need a cigarette, whereas an ex-smoker might be tempted to fall back in the habit, you see.

There are a lot of atheists and agnostics out there who might, if you asked them to think on it, consider themselves “recovering” Christians. There certainly are a lot of neo-pagans who do so; and I suspect that a great many Westerners who have drifted to Eastern or other “exotic” spiritual paths consider themselves struggling and in recovery from their Western cultural roots. Even modern Satanists are either simply anti-Christians, or in the LaVey tradition, mere worshippers of Self as God. Likewise, those pagans who see an ideal world of myriad gods and goddesses, with temples on every corner are trying to replace their childhood Christianity with the illusion of something different. The Greeks, at some point, had it right, when they made their gods just a little more than human, and by doing, elevated man as the ultimate ideal – but they muddled it up with “divine” intention as well. As Richard Dawkins says in “The Magic of Reality” the wonders of science are diverse, fascinating, and “magical” enough, without interjecting some kind of supernatural into them.

I was raised non-religious, by an engineer and a biologist. One might suppose our holy trinity was Charles Darwin, Isaac Newton, and Henry Ford. I was exposed to religion, but never took part except voluntarily and as an absolute outsider/non-believer. In my late teens, I spent a lot of time looking for spiritual paths that seemed to tie the whole together; had I been born 20 or 30 years later, the ideas of quantum science and chaos might have drawn me deeply into the sciences. As it was, at least in my high school view, each of the sciences (i.e., physics, chemistry, biology) seemed their own separate fiefdoms, each requiring the share language of mathematics to progress to any degree. And mathematics, perhaps because of my father’s aptitude for it, was something that did not directly arouse my interest. I did better in geometry than algebra, if only because it seemed so much less abstract – although later in life, abstraction became quite a fascination for me.

As a result, I was never exposed to the idea that we are all “star-stuff”, that me and every other thing in the universe was in fact a product of the same source material. But maybe during the 1980s that idea was not yet so prevalent as it is today, and the need to try to connect everything through a single omnipresent divinity was more likely the idea. I don’t know.

It makes so much sense to me now, of course, except I still don’t grasp all the mathematics. They say that musicians often use math as a hobby, and that mathematicians use music in the same way, both having an affinity for what on the surface seems a diametrically opposed discipline. But they are ultimately both math, of course – music is horizontal and vertical intervals; matter and wave moving through time. It is physics; the only science subject I successfully navigated in high school.

Philosophy, they say, is supposed to the the science that imagines, and then verifies (although the methods for verification here are somewhat nebulous) the truth of that imagining, a single underlying (or overarching, or connecting, or unifying) principle that connects all knowledge (and by that is meant scientific knowledge from both the “hard” and “soft” sciences). What I wonder is if there has been any serious current collaboration between philosophers (a great many of whom were originally mathematicians, or in their early stages, “natural” philosophers, who contemplated the nature of the physical world around them and in the process, invented the other sciences) and scientists (e.g., physicists, biologists, chemists) to more deeply and completely understand our world and our place in it – particularly given recent advances in science toward unified theories of existence.

One great obstacle in that cooperation seems to be philosophy’s current focus on the theoretical for its own sake, to prove or make points with or against another philosopher, not to advance humanity’s knowledge, but to smugly poke holes in the net we’re all using to catch that knowledge, without really repairing it and making it more useful. I see “theorizing”, like theoretical physics which seems to advance theories as a way of proceeding to practical demonstration of that theory’s usefulness, in a more positive, forward-seeking way. That could just be my perception, of course. I recently quipped that philosophers primarily seemed interested in diluting, diffusing, deconstructing, or discrediting the work of other philosophers. Of course, we all stand on the shoulders of giants, and behind true science is always the idea of finding and correcting the flaw in a predecessor’s proof so as to go beyond it – perhaps in a completely different and unexpected direction.

But I wonder, of those scientists and philosophers who may be working together right now – how many of them are “recovering” Christians, or Hindus, or Buddhists? How many still try to reconcile the idea of Divine intervention with the seemingly obvious natural magic that is reality? How many still fight against the urge to defer to an unseen entity as the prime mover?

Can one trace, as Huxley did in The Perennial Philosophy, the journey on the road to find out, where a set of single underlying, non-supernatural principles is universally (i.e., across many earth cultures) understood to be the basis of human reality, without relying like Huxley on non-scientific input from faith-based mystics, gurus and saints?

Inquiring, skeptical minds wanna know.

30 JAN 2017

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01.12.17

The Oxymoron of Social Media

Social media: the name implies communication (defined by me as an exchange of ideas only possible between individuals who consider themselves equals) yet most of us seem to use it exclusively to sell ourselves – our products, our services, our ideas. There is neither space (i.e., post limits) or time (i.e., lifespan of the average post) to conduct in-depth meaningful exchange, and the medium itself gives us the illusion but not reality of personal interaction, if only due to its inability to effectively transmit sarcasm, irony, humor, or any other subtlety. It is as a result the drink that temporarily sates, but does not satisfy. If it refills our “social” meter (to use a concept from the SIMS), it does so only vaguely, like a sugar or caffeine high that leaves us more tired and alone than before we indulged.

The media is indeed the message: Keep your thoughts brief, your repartee sharp and lightning fast. Use emoticons to reduce a wide range of human emotions to a small set of easily recognized and irritatingly vague options that transcend the need to maintain (or even develop) language skills at all. Show solidarity by sharing – but not by sharing reasoned, thought-out, and well-spoken dialogue between equals (see “communication”, above), but by changing your screen icons to the same colors.

These all-too-public gatherings are not water cooler conversations (at worst) or coffee shop klatches (at best). They are sound bytes that convince us we’re watching the same movie – and each hearing excerpts of an assumed larger and shared soundtrack to our lives. This assumption gives us “brotherhood” without commitment, “sharing” without sacrifice, “community” without neighbors, “friends” without relationship.

How does that work, exactly?

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09.10.14

Music and me

There are those who imagine “magical” places like they are scenes from the “happily ever after” part of a fairy tale: in a strange twist, they believe the hereafter, the great beyond, and the future tense of once upon a time to be like the world initially encountered by the young Siddhartha Buddha, one without care, disease, want or sorrow. But the truth is these places are just like right here, with their absence from our immediate view the only advantage given their fabulous and dazzling marketing brochures.

Music is one of those magical places. People say music is a language, a conduit, a means for connecting. Those metaphors make it seem like another world, or at least a foreign country. Extending that metaphor, people don’t really talk too much about the place whose natives speak that language as their first tongue: there’s not a lot of information on its geography, customs, and government, nor its climate, flora or fauna, be they beneficial and friendly, or poisonous and otherwise harmful.

I’ve know a lot of people who have visited, including myself, but I don’t know if I’ve met anyone who actually “lives” there year-round or calls it their original homeland.

There is no authoritative guidebook or CIA fact book about this foreign place – although to some it may seem one is necessary. A lot of people THINK they understand musicians, sometimes, but at other times must be content to shrug their shoulders, shake their heads and walk away, puzzled and confused.

Think of this as the beginning, then, of a travelogue, a descriptive narrative of these travels to the land of music. Because music, especially singing, CAN transport you to another place, where your body, mind and spirit are entirely wrapped up in a universal current. The danger is that when you come back from that place, you cannot communicate what you found there, because it does require a different language, a non-language. And getting back there is hard. It is tempting, so tempting, to fake your passport to that land, or at least grease a few officials’ palms, by artificial means. But those artificial means only make you think everyone else understands you while you’re there. And then, at some point, the artificial means can betray you, leaving you standing at the border only able to look in, but not cross over.

10 SEP 2014

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