The Old College Try

You can’t make this shit up. But somebody has to, right? It doesn’t just pop up out of nowhere in full bloom without first starting as a seed before it germinates, breaks through its shell, sends out roots and tendrils, shoves it’s way through the surface into the sunlight, soaks up the sights, sensations, and a couple bowls of soup on the way. It got here, this shit, like everything else does. One piece at a time. And time may be an illusion masking the fact that past and future are both shadows that only exist in the here and now, but sometimes it certainly feels like a minute. So you’ve seen this shit before. You can’t pretend you didn’t see it coming.

So if you didn’t make it happen, how are you part of it? Because you are, you know. We’re all connected; there’s no real or permanent separation between you and me and us and them. You have a role and you play it. Just like everything else. It’s like a round table though, because there is no head. In true egalitarian fashion, the one with the skill required for the issue at hand takes point for a little while, to address what they can direct better than anyone else around. And then when somebody else’s strong suit needs playing, that person takes the wheel. Until the next one.

Does that leave anything behind, any scraps, money on the table, cards unplayed, debts owed, or grudges unpaid. Sometimes. But it beats the alternative. Because there really isn’t an alternative, is there?

19 APR 2025

© 2025, John Litzenberg. All rights reserved.

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Change Your Mind

“I have an idea. I want to find what the average man thinks of it. Then when we’ve found out what he thinks of it, we’ll change his thinking.”

A great quote from Vincent Price’s Champagne for Caesars. But is it about advertising or religion or politics? And does it matter? Aren’t the effects the same? So loaded with promise, so ripe with possibilities. If a better movie, in a better time, with a greater social media presence and more mentions per capita, it would probably be a text studied alongside Machiavelli’s The Prince, Sun Tzu’s Art of War and Donald Trump’s Art of the Deal. No kidding. I’m gonna go write a doctoral thesis on that now. Give me a minute.

I can’t think of a better way to tell you to stop drinking the water. Or Kool-Aid. Or Drano. Whatever it is they’re telling you is in the Dixie cup, or what you wish or you’re hoping it will be. It isn’t going to be what you think. Cause it’s never going to be forever. Nothing is.

As was said in another film, The Princess Bride, “Life is pain, princess. Anyone who says otherwise is selling something.”

19 APR 2025

© 2025, John Litzenberg. All rights reserved.

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An Epitaph

Spent his life exposing anyone he could to his art, until he went broke and died from doing it.

Worth every damn minute and every single penny. There’s no Nothing better. And if there was, no one could afford it.

So what’s the point of worrying about that? All that does is pay for a bigger stone to chisel words into like this, so people you don’t know or who don’t really remember what you were like most of the time, can read about you when you’re dead, in one of the few places on earth you can still go and find a little quiet.

And even then, somebody or something is always singing.

19 APR 2025

© 2025, John Litzenberg. All rights reserved.

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An Actor Prepares

At what point in your life do you look back at what you’ve been doing up to that point and say to yourself, “Man, that shit we just went through was the worst thing that could happen to a person. And it was completely and absolutely our fault. It’s there a really bad actor in this scenario, you’re it. No excuses, alibis, justifications or obfuscations. Tag, you’re it. There’s no way to talk, walk, dance, sing, shimmy, wiggle, slide or slither out of this one. If you try that one again, you’ll end up dead.”

And how many times have you seen or will you watch that movie? Make your friends or lovers or kids or grandkids or work associates or teammates or even mortal enemies watch it with you? How many times will you switch the channel to it if it’s on? It’s your favorite feature film. It’s the greatest story ever told, because it’s about you. And you’re the star, the narrator, and the director. You picked the music, the scenes, and the lighting. You got all the best lines, had the best pieces of business. Looked like you owned the set, the scene, and the show. It must have made money, right? Because we’re all still here. Oscar worthy, that’s for sure. And since as they say you are always your own worst critic, you’ve really no worries about your rating or star power. It’s in the bag. If there was a better, higher budget, better marketed film out there, you’d be in it. And have a piece of it too.

But whose film is it really? How many of your supporting actors think it’s their film, or have agents and friends telling them it should have been theirs? More than you’d like to think. If you do think about it.

At the end of the real film, the final reel, will it really matter whose name came first or which was in the larger typeface?

19 APR 2025

© 2025, John Litzenberg. All rights reserved.

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The levels of music

Not hearing 
not listening
ignoring
sensing
noticing
hearing
listening
responding
writing
practicing
playing
memorizing
performing
recording
remembering

18 APR 2025

© 2025, John Litzenberg. All rights reserved.

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Liquid Concentration: barzaletta

Pick up that sad and ancient game;
select your poison: wealth or fame.
Thinking that we’re all the same
can make it hard to shift the blame.

No bird can fly with one wing lame;
old toothless tigers can be tamed,
but still may seek to wound or maim,
or anyway, that’s what they claim.

Look past the edges of the frame,
beyond your dying bonfire’s flame –
for in the end, the things you name
are powerless to share your shame.

19 APR 2025

© 2025, John Litzenberg. All rights reserved.

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Musical Chairs: ballade supreme

The road is long and runs for miles
between two fields on either side:
one, sown with soybeans in long files,
the other, fallow, flat, and wide.
Each season, nature must decide
which one will yield the greater crop;
while neither seeks to be on top
it’s still a competition:
year after year, it never stops.
Such is this life’s condition.

In houses, breaking up the wild,
a battle likewise coincides:
between a parent and their child,
the old ways and the new collide.
Somewhere between desire and pride,
in discount stores and online shops
the world of criminals and cops
leads all to some perdition:
year after year, it never stops.
Such is this life’s condition.

In some gray building, facts are filed:
loans pre-approved, requests denied,
and reputations are defiled
to shore up this or that divide.
Morality’s a slippery slide,
religion just a mop.
You’re one chair short; the music stops
and weakens your position.
Year after year, it never stops;
such is this life’s condition.

You work for years until you drop,
as fodder for the ones on top
who just want your submission.
Year after year, it never stops.
Such is this life’s condition.

17 APR 2025

© 2025, John Litzenberg. All rights reserved.

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