State of the Union

OK, so I’m now 45 years old. I’ve been playing music onstage since I was 8. That’s 37 years in some kind of band or another, on stages of all kinds, in six different states and on at least three TV channels.

And here’s the bottom line, for me.

I don’t want to play in any more bar bands. As a matter of fact, I don’t want to play at any venue (except as a huge personal favor to a good friend or two) where the main purpose for attending wherever the music is playing is something other than the music onstage. And that includes places that use as their marketing campaign something like “Fridays and Saturdays, live music” as if the music were some kind of gracious amenity that attendees got as a bonus. No more gigs where you show up to do something else, and there just happens to be a band playing.

I’ll go one further. The audience (which we’ve already stipulated has to be primarily motivated by wanting to hear live music) also must be there to see me. Not accidental live music, not breezing through town and luckily catching the only live music in on that particular evening, but deliberately coming either because they know me (or have heard of me) or because the venue has specified “ME – live and in person” and is likewise excited (to some degree) about having, promoting and paying for non-anonymous performance.

I’m not so foolish as to think it must be exclusively ME. It could be me solo, me as or in a band, or even me opening for another band that folks also are interested in hearing. It’s also not about the money – although if you’re coming to see live music, and not just getting it included in your meal (solid or liquid) like a free dessert, you ought to be willing to pay for it. It’s a privilege, not a right.

One final stipulation … when you come to see me play, it’s to hear what I WANT TO PLAY. I’m not your human jukebox.

I think that covers it. If your gig doesn’t meet this criteria, don’t call me.

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