Thus fails poetry

What can I show you in mere words
requiring some shared frame,
a reference we both use to describe
a common ground only imagined
that in the vanity of hope we craft
of veiled illusions, archetypes
that may at best, sleep undiscovered,
buried in our separate egos?

What chance, if I fail to meet you
at some halfway point, by trying
just to tell you of my vision,
using concrete words we both know,
is there for our split subconscious
to agree on deeper symbols,
hidden glyphs or long lost mythos?

Yet you would insist that showing
best conveys intended meaning,
makes connection worth exploring
between minds that seek no merging.

Thus fails poetry.

05 JUN 2005

“I gotta use words to talk to you.” — T.S. Eliot

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the thin kings of aboutness

From Part I:

backward broken pushed against the known,
each awaiting defamation,
two armies fought and fled their thin kings
waiting down among the rushes

forward spoken harsh against the wind,
each a summons hoarse men whispered
plans and expectations lost are we to blame
the thin kings’ ponds were stirring

inwards driven quick against the mark,
each an inchlet close to dying
hopis lost and raiders of the damned sing
for the thin kings’ fateful pushes

outward spoken quick against the door,
each awaiting degradation
two armies raised and wasted time until
the thin kings planned the battle.

the thin kings of aboutness sought
to subjugate the realm of thought,
and ‘gainst the nothing that they fought
the void and emptiness they brought.

of when and what the why became
the struggle birthed from whence they came:
one blind, one deaf, one mute, one lame –
the thin kings and their sorrowed fame.

the thin kings of aboutness yearned
to separate the great unlearned;
and ‘gainst the grip of death they turned
the fire of life, and so were burned.

of which and who the where becomes
the battle spawned from endless drums:
one great, one small, one burst, one dumb –
the thin kings and their kingdom come.

From Part III:

the ink spilled swift and held itself
as nothing kept its silent vow;
letters cowered as the pages dressed
the thin kings in their shining raiment.

wordless crept the secret cause
as something slept in silent death;
whispers shivered as the horses swept
the thin kings through the alleys raining.

the crowd stood murmured and beheld
as nothing stood and spoke parables;
betters glowered as the gates pressed
the thin kings up against their subjects.

worthless wept the one lament
as something passed in hurtful bliss;
lepers wondered as the healers sought
the thin kings in their broken armor.

in winter’s cold and bitter debt
the mistress learns her alphabet
to write of sorrows unfelt yet
until the thin kings she’ll forget

too soon the memory fades, she knew
the trumpets blown the wind it blew
and who remembers then? too few
the thin kings and their kingdom, too.

release me from this hardened shell
outside into the fires of hell
for I’ve a riddle yet to tell
the thin kings and their tolling bell.

a riddle, yes, perhaps a tale
of riders, horses, crop and flail
of frozen rain turned into hail
and hands forgotten with their nail.

the answer sought the lonely kings
beyond the gallows where they swing
yet not a one could bear to bring
their focus on the ghastly thing.

1993

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The Flute

To think your way the only way,
or see your God alone,
is to have the world as a flute
and play a monotone.

Now, it is music, to be sure,
that constant single drone;
but there is more to music
and each song is not a clone.

Some may choose among other notes
to make their melodies;
if each applies their breath
by their own methodology,

that does not prove your note is flat
nor that their song is best.
Instead, it builds the repertoire,
and can merely suggest

that each must seek their own true song,
and with their own two hands
find ways to cover the great holes
that help them understand

the music of the universe:
a million different notes
sung out with the same longing
from a hundred million throats.

Some choose a drone, and some a dirge,
while others like a reel;
the flute will play in any style.
Each new song helps reveal

the myriad of melodies
that range within our hearts.
Your own song is not ending
when you hear a new one start.

07 MAR 2005

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Deconstruction

I will never deconstruct another poem
in search of hidden metaphor, by line
eviscerating some writer’s creation
to satisfy some professor of mine.

These exercises do not help the reader
connect to what is said, or truly why
in given circumstance one word is better,
or how one’s own perspective may supply

a wealth of connotations beyond measure.
Too many now who read seek just what caters
to their limits of taste or frame of mind;
and would have poets soft and built for leisure.
Why use the stairs, when there are elevators?
Because some things are NOT a waste of time.

17 FEB 2005

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A Grain of Salt

When grandma fried the eggs, she used the salt
so liberally its savor burnt the tongue;
and so my father grew to hate the taste,
eschewing through his life their bitter edge.

It seems to me this metaphor applies
to nuggets gleaned by some religious sects;
when taken from their source, the sea, in part,
they overwhelm the soul with acrid fire
and cease to flavor, but only repel.

Once taught to spurn the salt through overdose,
some go through life unseasoned, knowing not
of how themselves of this saline are made,
and learn to satisfy their hunger on
what tasteless crusts they come upon by chance.

13 DEC 2004

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New Orleans: Imagine It Educated

Their America is seventy-percent against them,
but they do not know, these kids in New Orleans
their ebony faces eager or sullen or lost in some other world
lugging heavy booksacks on their narrow shoulders
facing teachers tired of trying to pretend
reading of themselves in textbooks they cannot translate
into their short-term teen idiom
between commercial breaks

It is their America because it is just like them
stubborn, proud and undereducated
looking in the rear view mirror, not to see what’s gaining
but to fix their hair and make sure their teeth are clean
one hand on the wheel, the other on the cell phone
loaded with ring tones by Mozart, who they’ve never met
talking smack about their teachers
planning what dress to wear this Saturday night

They think of America like the French Quarter, but clean
not knowing of the patina left on the great melting pot
from colors that tried to mix in and remained seared, on the edges
they shout out “Black Power” without benefit of Carmichael
in the Dirty South, greet Malcolm like a friend at the movies,
assigned Ellison’s Invisible Man every February without fail
their indignation rising with each chapter
hating themselves for needing MTV and Cosmopolitan

It is their America because they do not know
that seventy percent of the world is like them
different shades against which white pales
language not heard in the broadcasters’ flat Midwest
like the French Quarter, but dirtier
filled with cardboard shacks and rusted tin hovels
no yearly prom dresses, new cars or bling bling
and roaches more fierce than meek palmettos

Their America is seventy-percent black
because the world is like New Orleans, right?
And most will never see beyond the Huey P. across the river
where the white sheets hang damp on the clothelines
fresh-washed after a night of bonfires
marking the line across which Louis Armstrong
swore never to come back,
and they made him the city’s patron saint, anyway.

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The Desert

The edges of his shoes were scuffed and nicked, and a layer of dust clung to them. The sound of a pebble as he scrunched it underfoot made him look down and notice, each step stirring up a small cloud of dust as his feet met the ground, one after the other. It was a dirt road, and he had been on it a long time.

He looked up from his feet and his gaze returned to the horizon, where the road ahead disappeared over the edge where the clouds met the now graying sky. Against the fading light of the day, there were a few trees dark and lonely seemingly scattered at random, breaking the long line of sight that extended ahead to the right and left, endlessly.

His legs were tired from the day’s journey, and his back throbbed slightly from the weight of his pack. Not too exhausted to walk another few hours, but then it would be dark, and harder to find a suitable place to make camp. Better to stop now, and start again before dawn tomorrow.

To his right, past the edge of the road, an endless expanse of flat land. On the left the terrain was pretty much the same, but he could see a few slight rises here and there, the beginning of hills that slowly gave way, in the far distance, to a range of low lying mountains. About a hundred yards off the road in that direction was a large outcropping of rocks that seemed like the head of a giant statue buried neck-deep in the spare and sandy soil. What might have been a nose hung out about halfway up the formation, giving a bit of protection from the sun In its shadow. If it rains tonight, he thought, that might be the driest place for miles.

As he picked his way carefully across the stretch of unpaved earth towards the rocks, he casually gathered what twigs and dry grass he could carry. Standing under the jutting rock overhang, he glanced back at the road, then lay down his bundle of sticks and weeds. Then he circled the rock formation, which was about 30 feet across, three times – looking for signs of animal or insect life, anything that might indicate other users of this spot. Seeing no evidence of recent activity, he returned to his stockpiled fuel, kicked a small circle of earth away to form a hollow in the ground, and filled it with the dry twigs.

04 AUG 2003

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