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Month: November 2002

The Write Stuff: a Shakespearean sonnet

To write, and do it well, is my intent –
in idioms of verse and prose and play;
Success or failure will be evident
In how my critics judge the things I say.

I do not hope to be of world reknown,
I’d rather be a big fish in this pond
And let the words reflect thoughts all my own
than have them echo someone else’s song.

The muses, let them find me as they may –
I court them with an honest, caring soul;
For false pretense will only bring dismay,
And lend me in disguise some leading role.

I write, and sing, and dance on my own stage –
for my heart cannot see life as a cage.

25 NOV 2002

© 2002 – 2017, John Litzenberg. All rights reserved.

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The Gift of Life: a modified Spenserian sonnet

A precious gift is life; and how we use
each moment tells just what we think it’s worth:
a wasted dawn is reproof of our birth,
and consequences that we can’t refuse.

There is no misplaced talent on this earth,
for with each voice a different song is heard;
and it is never useless or absurd.
So sing it out with joy and endless mirth!

To those who mutter, “life is only merde,”
I say, go fertilize your garden bed.
There is no point in living when you’re dead,
so seize each day and give it living words.

For life is made of each of our intents;
against that thought, none can bring evidence.

25 NOV 2002

© 2002 – 2017, John Litzenberg. All rights reserved.

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A Poem is Different from a Song

A poem is different for me from a song
One takes a single image and distills its essence,
While the other takes a story and dissects its scenes;
Each has as its focus a sole point of view, most times,
That relies on the quality of perception, and perception of quality
of the individual who serves as the focal point.

A poem is different for me from a song
One takes the personal and makes it universal,
While the other turns the cosmos into an individual epiphany;
Each describes a lesson taught by life’s strange instructors,
But one glorifies a failing grade, and the other,
Laughs at the curve-setter.

A poem is different for me from a song
One is a persuader, smooth talk and choice words,
While the other is crude and direct, to the point;
Each builds a case for a circus of peers,
But one prosecutes for the sake of the law,
and one defends indigent soul.

A poem is different for me from a song
One is written, an arrangement of words;
While the other is sung from the chest and the head;
Each speaks a language that doesn’t quite translate,
But one knows the vocabulary of its speaker,
And the other, knows only the words.

25 NOV 2002

© 2002 – 2017, John Litzenberg. All rights reserved.

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The Wizard of Oz

Ah, the Sunday evening movie hour approaches, and for probably the 57th time in my life, I will sit down and watch the Wizard of Oz. This time, however, I will not be tripping my ass off, nor will I be desparately sync’ing the soundtrack with Dark Side of the Moon. And this time, it will be the third time after reading Gregory MacGuire’s wonderful book, Wicked: The Life and Times of the Wicked Witch of the West. If you are not familiar with this work, I highly recommend picking it up – particularly if the anti-witch propaganda presented in the L. Frank Baum version seemed a bit one-sided. Hear of the dear one, Elphaba, unfortunately born at birth with a VERY olive complexion, fighting for the rights of Talking Animals, trying to return power to Queen Ozma after it had been usurped by the dictator Wizard, and wonder over her interactions with a very insipid, vapid and over-the-top nincompoop roommate at college, Glinda. Mourn as she accepts the death of her sister thanks to a know-it-all meddler from Kansas.

Ah, the humanity …

© 2002 – 2017, John Litzenberg. All rights reserved.

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Among the Trees: a villanelle

I have sought among the trees for peace,
and found in their shade a quiet knowledge;
there is a humbling silence in their ancient speech.

The echoes of time are within their sky-bound reach;
and to find my own small sound in their endless song
I have sought among the trees for peace.

The many years I spent, wasted, in universities,
and the words I threw, mindless, at the world, seem trite.
There is a humbling silence in their ancient speech.

And all the wild students I thought I could teach,
have grown apart from me in spite, and so
I have sought among the trees for peace.

Between two worlds I often stand, unsure which way to leap,
and listen to the oak and pine, their quiet words of wisdom:
there is a humbling silence in their ancient speech.

While other fools proselytize and in their sadness, preach,
I have found solace in the branches of another school.
I have sought among the trees for peace;
there is a humbling silence in their ancient speech.

24 NOV 2002

© 2002 – 2017, John Litzenberg. All rights reserved.

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Carport Cacophony: a sestina

Under the carport, inhaling from my last cigarette another drag,
I listen to the voices rise and fall through the window,
their cadence and cascade a soft counterpoint of sound,
muffled through the closed glass;
here and there I catch a word, a phrase, a hint of mood –
then it slips away, like quick smoke, through the air.

There is a persistent chill present in the evening air,
that causes my blood to slow and my body to drag;
it brings a quiet, calm that soothes my work-weary mood,
and a slight hint of frost to the closed house windows.
The echo of the city slides by like marbles on a plate of glass,
leaving an empty hollow space without sound.

In this quiet place, small ideas seem so great and sound;
they shape themselves from the shadows and take in breaths of night air,
and build great reflections of themselves in the dark glass.
An hour passes quickly, as the sullen minutes drag
and flicker like flames against the frost-covered window,
and abandon all sense of order in response to this mood.

Then, suddenly, I am struck by a most melancholy mood –
I hear the futility of harmony in every passing sound,
and the anger in those voices on the other side of the window
seems to convulse and fold the now chilling air.
time has recovered its momentum, and the seconds cease to drag,
as a passing car stereo throbs by, rattling its cage of metal and glass.

The song of my heart is a symphony of broken glass,
and the chill of the night wind reflects this strange mood;
once the manic cycle ends, the valleys seem to ebb and drag,
and silence overtakes each song and swallows whole its sound.
Even my practiced lungs seem to have an aversion to their diet of air,
and there is a sad, lonely face peering from my window.

I listen again to the voices seeping through the closed window,
and wait patiently as they decrescendo against the cold glass;
I take in a deep breath of the cold, night air
and let the biting, bitter taste of it influence my ponderous mood,
let the chilled rasp of it linger, savoring the whispered sound;
then, from that cigarette, a last, longing drag.

Shivering slightly, I let my feet drag toward the door, put my hand against its glass,
watching my breath steam the screened window, letting it cast off this somber mood;
With a gentle sound, I release this poem into the air.

23 NOV 2002

© 2002 – 2017, John Litzenberg. All rights reserved.

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The 4:20 Blues

Okay, okay, so it’s another throwaway song. Maybe it will work as the theme song for NORML … LOL

Out on a limb, you’ve got to sink or swim
And either one is a political act
There on a whim, it’s much to late to begin
To separate what you have learned from the facts

Poised on the brink, your neck in the drink
You’ve got to improvise the skill that you lack
After a while, you start to fake it with style
And then there’s not much chance to turn back

Nothing left to lose, maybe then you’ll choose
The 4:20 blues

Out on the lamb, it’s hard to give a good damn
Beyond the next turnaround of the wheel
If you’re in on the plan, you fall for the scam
Or figure out the safest way you can deal

Poised on the ledge, or stuck in the hedge
You’ve got to subliminate the way that you feel
After a while, you start to take it and smile
And then there’s not much hope for appeal

Nothing left to lose, how can you refuse
The 4:20 blues

Out on the line, you start to thinking it’s fine
And then the tug starts reeling you in
If you’ve got enough rope, you may think you can cope
Until the hook pulls under your chin

Poised in the net, you start to feel a regret
But it’s a little late for struggling then
After a while, your bones will be on the pile
And you can start all over again

Nothing left to lose, might as well break through
The 4:20 blues

22 NOV 2002

© 2002 – 2025, John Litzenberg. All rights reserved.

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