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Tag: seasons

Hymn to Mithras

Praise for the sun born on this night
Praise for the coming of the light
On winter’s longest stretch of dark
We praise the tiny, faintest spark

Praise for the coming of the new
Praise for the frost, soon turned to dew
When spring’s fresh promise comes to all
We praise the fire that starts so small

Praise for the earth that slumbers deep
Praise for the world that finds, in sleep,
The dreams that feed brave summer’s deeds
We praise the hibernating seeds

Praise for the sun born on this night
Praise for the coming of the light
Into the dark and bitter cold
We praise the fire as it grows old

Praise for the present and the past
Praise for what fades and what may last
Beyond our sight, beyond our time
We praise the seen and the sublime

Praise for the future and today
Praise what remains, what fades away,
And all things living that will die
We praise the earth, the sea and sky

Praise for the sunlight come again
Praise friend and enemy, and then
For each day forward through the year
We praise the means that brought us here.

24 DEC 2006

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Seasons After Spring

I’m just an outlaw over 40
with no airtime on the radio today
where each hot new hit’s a retrofit
of juvenile emotion and cliche;
but I’m laughing at the demographics
every time I get a chance to play
’cause for me real country music isn’t
about some gold records on display.

I’m just an outlaw over 40
far beyond my prime for video appeal
where the song need tell no story
if the actors on the screen can keep it real;
and to write about the fight against
such fantasy can break your record deal.
I won’t say that it’s not country, but
it’s whistle steam that never turns the wheel.

Music’s not just for the young,
not an excuse to sell CDs.
It’s about speaking from your heart;
at least, that’s how it is for me.
If music doesn’t help you grow,
it’s not much good for anything;
and only growing older makes
songs that have seasons after spring.

I’m just an outlaw over 40
whose wild days of drinking binges are long past
and who’s started slowing down to find
those things along the path that tend to last.
You may laugh at my appearance
and believe this song should be played twice as fast;
but it’s not your song, it’s mine; when you
build your own car, you can waste your own gas.

I’m just an outlaw over 40
who can’t line dance or pretend it’s not too loud
if I can’t hear myself think, and tend to
get a little frightened by the crowd
that is full of fight and vinegar, not doing much
but acting tough and proud.
I won’t say that’s not my country, but
intruding on my space is not allowed.

Music’s not just for the young,
to sell some product on TV.
It’s about sharing of your life;
at least, that’s how it is for me.
If music doesn’t help you learn,
it’s not much good for anything;
and only learning to grow old
makes songs with seasons after spring.

19 NOV 2005

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Lughnassad

Summer’s bent and turned to gray,
his heat begins to wend;
in these dog days of decline
his smolder finds its end.

Now the lad with darkened locks,
his heart born full of ice,
begins again to wax in strength
and plot the sacrifice

of the green and winsome king
whose fires consume and warm;
in the shadows, winter brews
its months of snow and storm.

From the fields, sun’s regent walks
among the first-born sheaves;
in their surrender lies his bounty.
Soon, the turning leaves

will announce his kingship ended,
and that fateful siege
when his lance will be unmended
and a new crowned liege

will ascend the season’s throne
to lull the world to sleep
through the gray and bitter months,
when the sun must creep

at a distance, as the world
lies fallow until spring,
and the Sun will claim once more
its green and leafy King.

Summer’s step is not so sure
past each year’s Lammas eve;
mere months mark the lifespan
of the king. But do not grieve:

in the womb of winter’s deep,
the cold new king will sow
the sunlight spark that will in time
defeat again the snow.

01 AUG 2005

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Critical Path

July is gone, and the pecans
have now begun to set
on the old tree along the bayou;
sometimes, we forget
the simple things that mark the seasons.

We’ve no need of clocks
or calendars. Whatever reasons
we invent to block
the infinite expanse of time
into convenient lengths
quite often rob us of our prime
and downplay our great strengths:
such as the art of observation,
which serves to remind
us that the root of our frustration
is failure to find
the purpose for our human lives
in seeking power and might,
whereby our cause alone survives,
and therefore is proved right.

That humans are endowed with minds,
foremost, and only minor brawn,
should give us pause, and some new kind
of goal to focus on:
like seeking prominence through thought,
and sharing of that wealth
by proving wrong what we are taught
that profits just ourselves.

for R. Buckminster Fuller

31 JUL 2005

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Dividing Up the Blame

Wind blowing through a courtyard
Shattered windows turn their broken eyes on me
Blind, can’t see the street because I’m crying
for my soul is in the gutter, trying to find release

Is there something on that wall?
Looks like some writing on it, it says
Just six more hours until the dawn
Then you can crawl back where you came from

Some sin, something I can’t remember
Memory’s the enemy shot down on these streets of love
Lost, in the battle, in the fighting
for my soul, an empty victory in a war that does not cease

Is that someone up ahead?
Looks like a friend of mine, who said
“You won’t stay warm without the wine,”
and passed right back into oblivion

Oh won’t you give me something for the pain
I can’t stand another night out in the rain
Please don’t call it charity, but help me just the same
While I’m waiting for the jury who are out right now
Dividing up the blame.

Spending my time searching for nothing
To add it to the nothing that I own
Spending my last dime on a bottle
So I won’t spend this night alone

Wind, blowing cold against my body
Shuttered windows turn their sunken eyes on me
Blind, seeing nothing but the nothing
in my soul, an empty shadow where an angel used to be

Is that something up ahead?
Looks like a fire burning.
Pull up a chair and throw it in
It’s six more hours until the morning

Oh won’t you give me something for the pain
I can’t stand another night out in the rain
Please don’t call it charity, but help me just the same
While I’m waiting for the jury, who are out right now
Dividing up the blame.

You say I’m guilty
I say you’re guilty
We’re all guilty
If no one’s guilty.

1991

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Season’s Crossroads

Wouldn’t know it from the weather,
but the summer’s almost gone.
Those lazy early days have faded,
though the swelter lingers on;
and the memory of the schoolyard
has begun to slip away
as if lessons barely ended
prove you know something today

Wouldn’t know it, ‘cept the calendar
is near another page.
Each checkmark by a number
signifies another stage,
and another blue sky faded
slowly into dappled gray.
All the colors run together;
only darkness will remain.

At the crossroads of the seasons
you can only stand so long
before something calls you onward:
something yearning, something strong;
there is nothing left a body here to do,
except believe in a miracle or two.

Wouldn’t know it from the weatherman,
but autumn’s closing in.
Though the dog days are still coming,
they will grow weary and thin;
and the sunny joys of summer
that you thought were here to stay
will be covered in the green leaves
that you sit under today.

At the crossroads of the seasons
you pick your point of return;
and pretend your new direction shows
you things you need to learn.
But there is nothing much to do beyond just ride,
and believe you’ll come out on the other side.

21 JUN 2005

for Pete Ham

If you’ve ever listened to much Badfinger, you know who Pete Ham was – lead singer, guitarist and primary songwriter for the group who wrote, among other things, Without You, which was much more successfully recorded by Harry Nilsson and recently again by Mariah Carey. He committed suicide in 1975.

My favorite song of his is called “Perfection”:

There is no real perfection
There’ll be no perfect day
Just love is our connection
The truth in what we say

There’s no good revolution
Just power changing hands
There is no straight solution
Except to understand

So listen to my song, of life
You don’t need a gun, or a knife
Successful conversation,
will take you very far

There is no real perfection
There’ll be no perfect man
Just peace is our connection
For giving all you can

There’s no good kind of killing
Just power taking life
It’s all good blood that’s spilling
To make a bigger knife

So listen to my song, of life
You don’t need a gun, or a knife
Successful conversation,
can take you very far

(c) 1971 Pete Ham

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Midsummer’s Night

Again the axis ceases its slow spin,
and slides across the rachet to reverse;
the day and night become each other’s twin,
and spheres align across the universe.

In this time, when the veil between the worlds
is thin and day admits its fleeting hold
on time and space, the fabric is uncurled,
and often there are wonders to behold.

Midsummer’s Night — when faeries hold their court,
and light the sky in firefly delight,
when what seems unreal masquerades, for sport,
as hard and fast reality. You might

believe on other days the world is so
wrapped in logic, that its soul is dead;
but in this moonlight, if you dance, you’ll know
the world as it might be; and then, instead

of crying for the would and could have beens,
in vain lamenting your loss of control,
you might let go the world of only seems
and see, for once, the real, the true, the whole.

20 JUN 2005

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