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Tag: living

Left of How: English sonnet

The world evolves without suspense or trick;
it is and it becomes, with no delay,
both seed and flower’s dried husk, derelict
from newborn babe within each single day.

What seems to be so permanent and cast
in stone, begins to crumble at its birth;
mere nothingness is all that seems to last –
and we know just exactly what that’s worth.

The past and future are both fantasy;
they live both in our minds, and not at all.
You may as well believe you are a tree
to think spring comes again after your fall.

And yet, life is worth living, here and now.
You’re given when and where; what’s left is how.

21 MAY 2025

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There is Singing: cywydd deuair hyrion

Listen to the birds; they sing
each morning at dawn’s lifting,
before the dew dries away
as the now becomes today.

Who knows why they keep at it?
Most see no real benefit
in trilling out little tunes;
there’s much work to do by noon.

We sing so little these days,
getting ourselves bent sideways
with the world, so full of fear,
letting beauty disappear

when we could celebrate it.
Each evening is still moonlit,
and darkness is so quiet.
We need a song. Just try it.

12 MAY 2025

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A Song to Sing

One of the things that I fear people asking, that I imagine to be the greatest torture in the world to which I can attest with personal experience in the matter, is “What kind of music do you play?”

Ok, so maybe that’s a first world problem. Could be that most people even in the most obscure, bizarre and strangely unusual circumstances would not find themselves needing to consider it. And I’m ok with that if you are. I mean, what I’m not able to communicate will be more than offset by what you’re not able to understand, right? And visa versa.

It wouldn’t be so bad if there really were specific types or genres of music that folks use to clearly define the sounds they hear, imagine they’re hearing, or wish they could hear, when their lives, like a Broadway or Hollywood musical, need some music or a song to get through a particularly thorny plot point or epiphany. But the truth is, those common shared definitions don’t exist. Ask any two people on the street to define jazz. Or punk. Or country. Or classical. Now ask any two musicians. Of the four answers you have, do any agree with your own descriptions?

When I was at Berklee, one of my professors told us that when Duke Ellington was asked that question, he replied, “Why, beautiful music, of course.” I’ve used that answer since myself, but I always feel both a little guilty – and also a bit skeptical. After all, beauty is in the eye (or ear) of the beholder. There are more ways to divide the spectrum of beauty than almost any other abstract notion in human history. As my dad used to say about working at the Detroit Department of Sanitation, “It may be shit to you, but it’s our bread and butter.”

The beauty you see, absorb, and reflect in the world, and the music you hear, internalize, and echo back to the cosmos, are in that respect very much the same. In many ways, you find the beauty or song you need at the precise moment you need it. That’s why it makes such an indelible impression. Just like you are not the same person from one set of space-time coordinates to the next, but are constantly if unconsciously evolving into something never before quite finished, you’re never really done with beauty and music because once they’ve touched you, they’re never really quite done with you either.

That’s what makes the question so difficult to answer. Not just because the answer changes, but because it doesn’t. It’s the etudes you first learned to play before you knew the names of the strings on your violin. It’s the first piece you practiced for hours preparing for that piano recital. The song you wrote after coming home from your grandfather’s funeral. The tune on the radio when you stormed out of the house and broke up with your first girlfriend. The last of music you hear before you die, when you don’t know you’ll never hear anything else.

In a brief bio of Sandy Denny, I read, “The mark of a great singer is that he or she always tells a personal truth regardless of the given material.”

So you sing your song or somebody else’s, regardless of who actually wrote it. And that’s the kind of music you play. Because nobody else can.

People will keep asking, because they don’t recognize their own life’s soundtrack. And your answer will never be their moon or its light, or even a reflection in a dewdrop of water. But it may be useful as a finger pointing the way.

20 Apr 2025

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Simple Ways: pantoum

Some say that simple ways are still the best;
as we add complication, things decline.
How we live puts that principle to test:
it’s so subjective, what one thinks is fine.

So, adding complication wreaks decline?
Stop making babies; that’s simple enough.
It’s so subjective, what one thinks is fine;
applying principles yourself – that’s tough.

Stop making babies; but that’s not enough.
End all this mad charade of cheating death.
Applying principles yourself is tough;
it’s work that needs more effort than just breath.

End all this mad charade of cheating death!
The purpose of this life is growing old.
it’s work that needs more effort than just breath;
those simple ways, if possible, are best.

11 APR 2017

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Nothing But Us: echo verse

What happens at the point the point
when we get in our lives in our lives
where decisively, we choose we choose
something to believe in to believe in
much greater than ourselves, ourselves,
and with surprise we find, we find
instead of a great something something
out there, giving us a sense of worth, worth
that we waste our lives seeking, seeking:
nothing but us. Us.

03 MAR 2017

 

 

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14. See the World, Part 2

A lot of people proudly claim to love the city they live in, or the one they’re originally from. In general, I am not one of those people – and having lived a lot of places across America, I’ve had plenty of opportunities to make that visceral connection. Yes, I’ve appreciated the history, architecture, planning, flora, and fauna of physical places. There is something about the way a place smells, the way its natural element presents themselves both visually and orally, its latitude, altitude and distance from large bodies of water, the way the stars (including the sun) are arrayed at specific geographic locations, that make each village, hamlet, town, city, and metropolis different and unique.

I understand a deep and abiding connection with land. I’m of Swiss, German, and Irish stock. That connection is part of my heritage, part of my cultural consciousness. I recognize this, in part, because when I traveled to Bern Canton in Switzerland, where my paternal grandmother’s family originated, I recognized a landscape I had never before seen, experienced a “homecoming” if you will, a sense of deep understanding when I walked down narrow city streets, crossed Alpine meadows, and stared up at snow-covered Alps. I’ve not really had that experience anywhere else; I’ve not traveled to Strasbourg, Germany, Cork, Ireland, or any other family originating points for comparison. I’ve had other physical memory of places: for example, I was born at William Beaumont Hospital in Royal Oak, Michigan. Watching a movie about Jack Kevorkian almost 45 years later, I felt a physical sensation of recognition when they showed scenes at the hospital. I’ve also felt a sense of loss, rather than belonging, when happening by former addresses in Ohio, California, Boston, Memphis, Seattle, and New Orleans.

But that doesn’t seem to me what people feel when they say, for example, that they “love New York”. Maybe it’s a PART of it, sure, but I don’t believe just connection to a physical place is the whole of it. That’s like saying that the physical act of sex is the whole of loving a person.

There are a number of factors that tie us, directly or indirectly, to a place’s physicality. Logistics, convenience, knowing where things are, having the interstate system memorized, understanding and appreciating landmarks necessary for navigation, social interaction, and safety – these are indirect physical attributes of a place. But honestly, I’ve accumulated systems encompassing these factors for most of the places I’ve ever lived. Yeah, some places are better, or easier, or faster, in terms of their layout and features. But usually some part of that set compensates for other parts. It all balances out, in the end.

The rest of what makes a place a place, though, is its people. The actual individual people who live and work in a city. The infrastructure supporting those people – the education, culture, spirituality, politics, diversity, and so on. And that infrastructure affects still another set of indirect factors contributing to love: security, privacy, safety. Those things are indeed derived from a place’s people, not its physical attributes.

I’ve liked and loved a lot of people, wherever I’ve lived. And whether they were natives or transplants to those locations, a lot of what they were was the result of how they grew into or adapted to those locations. Some of those people, if you moved them somewhere else, would not have been so lovable or likable. Others that I didn’t really appreciate where they were, might have become MORE interesting. I’m definitely not sure that if you took everyone I loved across the world and put them all in the same physical location, that they would either get along, thrive, or survive relationship with me.

Have I been different people, in each place I’ve lived? Sometimes, sure. It’s a social necessity to adapt, to conform to certain norms in order to establish each two-way definition of equality required to affect communication between people. Are these mere externals? I’m again not sure. Like when you move where a different language is spoken, you have to learn to think in that language to really absorb it, sometimes the energy of a place, by changing the way you do things (e.g., travel, shop, eat, split indoor v. outdoor time, entertain yourself or others), can change who you are – or at least who you THINK you are.

The point is that where I’m at in my life, right now, what attracts me to a city, a physical place – other than its striking physical beauty, particularly if its a geographical experience I’ve not had before – is less WHAT I can experience there, as much as WHO I experience it with. And the presence or absence of that connection (including the presence or absence of the possibility of connection) is what makes a place alive, to me. To find the right balance, to seek beauty that is alive, and life that I find beautiful: that is the quest, right?

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Let the Cold Wind Blow

Let the cold wind blow,
let the weak spots show,
let the gray hair go
’til it’s there no more.

Let the days roll by,
let the hours fly,
let ’em say goodbye
’til it’s you and I.

There’s just no reason
that I can find
to leave a bit of
this life behind.

Let the loose lips slip,
let the hipsters hip,
let the sinking ship
take a long, cool dip.

Let the world roll on,
let the foolish fawn
let both king and pawn
fade until they’re gone.

There’s just no point
that I can see
to let it bother
you and me.

Let the raindrops fall,
let the time just crawl,
let the engine stall
somewhere in the hall.

Let the earth just spin,
let them all back in,
let both thick and thin
come around again.

There’s just no reason
that I can find
to ever have you
off my mind.

15 JAN 2015

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