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Tag: creativity

Untitled for a Reason

What a record label’s looking for I haven’t got a clue;
it doesn’t really matter any more.
And who’s at number one or rising up to number two?
I’ve stopped pretending that I’m keeping score.

I don’t expect the radio to leave familiar ground;
they’ll play what advertisers think they need.
And the movers and shakers never stop here at my door;
I’m guessing they prefer a faster speed.

The nightclubs and the bars will cater to a younger crowd;
that’s where they think the money’s gonna be.
They’ll want it new and trendy, and they’ll keep it fast and loud
and look to get it cheap or nearly free.

It doesn’t bother me that some things never seem to change;
some folks will always take what they can get.
But every now and then I take another look around
and see again what I tried to forget.

It’s not the song that matters, or the singer, anymore;
and no one cares if either lives or dies.
Unless the numbers add up to a profitable score
only the writer’s tax accountant cries.

No matter what you’re saying, you’re forgotten in the end
and no one wants a has-been or maybe.
The truth is, you’re expendible, based on the latest trend,
in a world where even free love isn’t free.

01 JUN 2006

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Insomnia Redux

Would that this night provide some small respite,
sweet sleep instead of wisps of restless dream;
but like a spring o’er-wound and pulled too tight,
my mind finds no repose. Each small sound seems

a thunderclap that echoes in the dark
and leaves behind a wake that does not fade,
while every thought like striking flint brings sparks
that catch in flame acts due from plans unmade.

In restless times as these, creative souls
are said to find stray inspiration loosed,
and in somnambulence descry the whole,
that waking, they may put to greater use;

but I find not epiphany, just ache
that grows with each new moment still awake.

27 JAN 2006

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The Politics of Epiphany

It occurs to me that all poets at some point in their lives experience something of the profound, and the nature of this experience colors and informs their writing from that point forward. Robert Graves might have said it is the presence of the White Goddess that is that initiating profundity, that point at which the salmon in the stream bed of inspiration is first discovered, that instant when Taliesyn’s finger is burnt gold by Cerridwen’s foul potion of hyper-knowledge. James Joyce echoes this theme, in a way, through his constant obsession with epiphany. There is always a point in his writing at which key characters, in a moment of absolute clarity, realize that in order to be alive they must embrace a certain level of awareness to which their ignorant compatriots are blissfully unaware. That blinding moment of illumination is found in every poet’s work at some juncture. What triggers it, of course, is different for each writer, but it always involves a painful awareness of the difference between mere commonplace angst and profound turmoil.

Interestingly enough, this grand profundity more often than not is expressed negatively. That is, it is communicated as a loss — of innocence, of joy; or as the sense of something ponderous, weighty and sad — a sense of isolation, of powerlessness, of triviality, of uselessness, of pointlessness. It is the rare writer that colors their illumination as a positive experience, as if ignorance of the reality of things is something worth losing, if exchanged for an awareness of one’s true place in the universe. Perhaps that is because in order to communicate to those who have not had their own epiphany, one must appear to grieve as those without profound experience imagine grief to be, if only to establish some basis for communication. Never mind that the language of profundity, like the language of the acid trip, is meaningless outside its context, even to one who has made the journey and is now safe back at home.

And too, people who see the profound where others see simply the ordinary are often ostracized, ridiculed, and even institutionalized in order to maintain the fabric of society. We accept grief, loss, isolation, loneliness, powerlessness, and pointlessness as part of every day life — so long as one does not wallow in it, nor force others to witness its impact on our neatly scrubbed, public faces. I suppose it’s like agriculture, to some extent; we are pleased and proud as a culture that less than 5% of the population has to work directly with dirt in order to feed the rest of us. In a similar way, we are pleased and proud of that small number among us who serve as artists, poets, dancers, sculptors, musicians — pleased that they are indeed only a small portion, whose dalliance in profundities siphons but a meager amount of gross national product from more practical, useful and ultimately controllable employment.

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The spheres of thought that tangents bring

The spheres of thought that tangents bring
in touch with mine are lessening,
perhaps in spite of my attempts
to cross each bridge, and burn each fence
so that the world seems more to me
a web of connectivity.

It could be that these are not times
for straying beyond party lines;
or worse, more likely, minds are closed,
so wary of thought overdose
that if a single word slips past
their brave defense, the die is cast
and they will be like Robert Service’s
fitless man, alone and nervous.

Such things occur to me, and then
I feel the urge to write again —
despite the fact that precious few
will find my voice worth listening to,
instead preferring rehashed news,
extremist views, and seats in pews
where others preach some party line.
If that’s the case, it suits me fine.
I do not write to please the masses,
or think these brief missives classes.

It’s a desert; most oases
are mirages not worth chasing.
Each one has a tale to tell:
some only sand, others with wells;
and sadly, when illusion sells
more stock than substance,
these sad hells
are peopled with a hopeless lot
who can’t or won’t let go, and plot
the quick demise of any who
would posit their heaven untrue.

20 May 2005

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The Politics of Deconstruction

A moment, more or less, of deconstruction:
by which I mean to delve into the soul
that strives to separate life from destruction
and yet maintain some semblance of the whole,
to claim by sacred right the single kernel,
the isolated truth-soaked grain of sand
that by its presence negates the infernal
in concrete terms all can understand.

It does not matter what stated intention
the writer may have claimed explained their work.
Creative types are just show and pretension;
in equal parts: saint, sinner, genius, jerk.
Believe me, I have far more poignant insight
by virtue of not wasting any time
in chasing muses past the hour of midnight
to be rewarded by one simple rhyme.

Besides, too many think themselves creative
and squander precious time lost in that haze.
The world needs workers, not more contemplatives,
who pass up duty just to navel gaze.
We need poetry, ’tis true, but with some guidance:
interpretations that have been approved,
that faced with doubt and free will, choose avoidance
and recommend such options be removed.

It only takes a moment’s intervention
to steer a young and growing mind astray;
remember, cure is harder than prevention,
so put those blinders on without delay.
Besides, it only starts with art and culture;
are politics … religion … far behind?
Trust me, do you want, hanging like a vulture,
someone with vision checking your design?

We deconstruct to make it seem like science,
instead of art or magic, sacred stuff
that at its core encourages defiance
and shows our plans for what they are, a bluff.
In pieces, the world fits into our puzzle,
and none can see the holes we’ve yet to fill.
With so-called education as a muzzle,
we can do what we want, and always will.

30 APR 2005

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Let Words Escape

Rescind your tortured sentences; let words
escape like AWOL soldiers past the fence,
like sullen rocks that would grow wings like birds
and fly out into fresh experience.

Rethink your injured poems; let each line
cascade in a cacophony of sound
where all the images you dare define
in simple rhythm’s ancient tongues resound.

Don’t cast your works in broken, fragile stone;
they will not last beyond the dusting brush.
Instead, seek for the essence that alone
reduces recent shouts and cheers in hush.

The modern lasts no more than single days;
its history a palimpsest of mist.
If you would build a temple worth more praise,
you must do more than exercise the wrists.

What vision can withstand the critic’s bile
unless the artist draws it from within?
What good to end up in some dusty file
where fickle fancy’s fads end and begin?

Let no one else restrict the words you choose,
nor help you seek the spirit of the age;
If you would seek to please others, refuse
to put another letter on the page.

24 APR 2005

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The Confessions of an Optimistic Underachiever

Truth be told, my high school years were difficult ones. Having been transplanted from a remote rural environment in northwestern Ohio to the sunny clime of southern California just in time to start high school, I found it difficult to adapt, in many ways, to the Members Only jacket, Izod shirt, Sperry Top-sider wearing preppy environment that was Republican Torrance, California in the early 1980s. Add to this mix the fact that I was really coming into my own as a Musician and poet, that my engineer father very vocally expressed his disappointment in my non-fascination with mathematics courses, and along that road the somehow simultaneous introduction of both Black Sabbath and the Sex Pistols to my worldview’s soundtrack (OK, a little behind the hip schedule of the world, but bear in mind that there were limited resources on radio and record on the farm), and you may begin to see the potential for strife.

Quite frankly, I didn’t particularly care for most of my reality — but a catalog of the ways in which I experimented to alter that reality is not the point here.

My father, perhaps sensing a wandering on my part, and desiring that I prepare to assume a role of some kind in society, laid upon me the burden of absorbing a great number of books from his personal library. I suppose I should be thankful for this, at least on the surface, benificent gesture. As a result, I was brought into the great continuum of self-righteous empowerment that ranges from Dale Carnegie to Norman Vincent Peale and now extends out to Tony Robbins. One of the things my father did during my early teens was to become a distributor for one of these Amways of Advancement, the Success Motivation Institute of Waco, Texas. They boasted such titles (provided, on series of cassettes and volumes of binders beautifully packaged in leather cases) as “Blueprint for Success” and “The Dynamics of Personal Leadership.” Additional volumes of varying levels of import included “How to Win Friends and Influence People”, “The Power of Positive Thinking”, “Think and Grow Rich”, “The Sale Begins When the Customer Says No” and so on.

I participated in this process willingly enough. I prepared “Plans of Action” (POAs) and memorized all kinds of affirmations. “If you are not making the kind of progress you are capable of making, or feel you should be making, it is simply because your goals are not clearly defined (Paul J. Meyer, SMI)”. “Crystallize your Thinking”. I say memorize, but it would be false of me to assert that at least in some minor way, these platitudes were not internalized to some degree. I am who I am today, optimistic about the possibility of being, in no small part thanks to this indoctrination.

But somewhere along that same continuum, these teachings failed me. Because their primary focus was ultimately on defining success as a function of money. That’s the lesson, I think, that my father was trying to impart — that if you make enough money, you can basically do whatever you want. My father was raised on Horatio Alger and other rags-to-riches stories, and high schooled in Liberty Township, Ohio, the same place where Norman Vincent Peale cut his journalistic teeth at the Republican Courier. A careful reading of Alger, however, will demonstrate something quite different from the “pick yourself up by your bootstraps, earn your way, opportunities are created” kind of jingo for capitalism that they are imagined to be. The fact is that almost every one of Alger’s rags-to-riches heroes ends up rich through inheritance, sheer luck or magnanimous gesture. There’s little or no proof that hard work will EVER get you these things, at least provided by Horatio.

The point of this exploration is that it always seemed to me that the motivations of these self-help gurus were questionable. Dale Carnegie, for example, suggests that when entering the office of an important man, to scan the locale and create a mental catalog of that man’s interests — fishing, his family, the Cape house, and so on — not as a means for developing a connection with that executive as a human being, but merely as a tool by which to exploit that man’s inclination to slim his wallet and fatten your own. Very Sun Tzu, it must be admitted.

And the bottom line is that actually achieving a higher standard of living, as defined by annual income, stock portfolio performance and neighborhood property values, never seemed to actually make anyone that I knew personally any happier, nicer or cooler to hang out with. They had more money, ’tis true, but the reality of it was they weren’t going to spend it on me. And to keep it, nurture it, turn it into more of the same, it was unlikely they were going to spend it on themselves, either. Now, you may disagree with me here, but to value the accumulated item higher than the act of accumulation seemed to be the point of these self-empowerment programs; and the reality was that most people never actually achieved more than the accumulating act. It was “the pursuit of happiness,” and not its capture. Of course, that is a defining American principle. And that brings me to the real point of this diatribe.

Ringo Starr’s perception of the Beatles may be useful here. “For a time, we thought we were the best band in the world; and as a result, we were.”

That’s really the message of all these self-help programs, isn’t it? To enforce the notion of mental focus. As you believe a thing to be, so it becomes. As above, so below. So mote it be. And they say this country is based on Christian principles. Bah. I’ve never heard anything so pagan in all my life. Life is what you make it. Not as it is handed to you (on whatever manufacture platter you imagine). You become what you pursue. Where your heart is, your treasure likewise can be found. Now I sound like Ronald Reagan, except that I realize that the real Gipper is not external, but is yourself. Win one for yourself. Now I sound like the Dalai Lama. Seek the guru inside yourself.

So why imagine it as a world in which you have to be rich to be free? Why imagine it populated with people who think just like you? Why imagine it absent of strife (a necessary component for growth)? Why imagine that it has to be a supermodel, a Ferrari, a big house on the lake?

Why not set your sights a little higher, Horatio? Why not imagine a world where people are not judged by the content of their wallets, but the content of their hearts? Forget art for art’s sake. How about life for life’s sake?

More to follow.

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