Monthly Archives: September 2014

Single digit blues

I hope that I shall never see
the poor in our democracy
convinced to vote Republican
believing they’ll become the one
percent. I hope, but feel, alas,
that both the elephant and ass
are run by callous millionaires
who each say they’re the ones who care.

I hope before that tragic day
the poor man’s eye scales fall away
and see that God is nowhere in it.
We all lose the very minute
we stop doing our own thinking,
and pretend our Kool-Aid drinking
is the cure for our malaise
and will return the good old days.

I hope that I shall never see
the end to our democracy:
when in the din, all reason’s lost,
and none speak out against the cost
of trusting those with profit shares
from selling guns and signal flares,
who win no matter who will lose
and dance while poor men sing the blues.

30 SEP 2014

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Generation Gap

You call yourselves Creatives,
seekers of some brave new world
where the light of tomorrow shines
and everyone is free,
constructing some great paradigm
connecting one and all
across the universe and time
through some technology.

You call yourselves Inventors,
sculpting from the gossamer
of heretofore undreamt of dreams
and other precious stuff –
iconoclasts, revisioning
the way the world should be:
unleashed from simple here and now
across eternity.

You build as if your raw supplies
were part of nothing else:
a world of waste and sloth and darkness
waiting for your touch.
Pretending it some virgin spot
you dig with pre made tools,
imagining your destiny
replaces nothing much.

And those with whom you disagree?
It’s obvious they’re old,
and harbor shadows of the past,
their light hurtful and cold.
If their ideas made sense,
why did the world end up this way?
That they failed, is no fault of yours;
they did what they were told.

And those who straddle old and new,
those hopeless dinosaurs
whose shoulders you now stand upon
without a word of thanks?
You graciously allow them space
to try and tag along,
while you refuse suggestion
as you scurry to the bank.

Creative? Without toil and sweat,
your art is fantasy;
a game of smoke and mirrors
where you hide your snob’s distain
for those who came before you,
whose creations you transform
into the shiny, plastic things
you promise will again

invoke some metamorphosis,
turn all frogs into kings,
relieve your halitosis
and give back your bounce and spring,
improve your sense of wonder
for a reasonable cost,
and make you feel you’re where it’s at
pretending you’re not lost.

30 SEP 2014

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Music and me

There are those who imagine “magical” places like they are scenes from the “happily ever after” part of a fairy tale: in a strange twist, they believe the hereafter, the great beyond, and the future tense of once upon a time to be like the world initially encountered by the young Siddhartha Buddha, one without care, disease, want or sorrow. But the truth is these places are just like right here, with their absence from our immediate view the only advantage given their fabulous and dazzling marketing brochures.

Music is one of those magical places. People say music is a language, a conduit, a means for connecting. Those metaphors make it seem like another world, or at least a foreign country. Extending that metaphor, people don’t really talk too much about the place whose natives speak that language as their first tongue: there’s not a lot of information on its geography, customs, and government, nor its climate, flora or fauna, be they beneficial and friendly, or poisonous and otherwise harmful.

I’ve know a lot of people who have visited, including myself, but I don’t know if I’ve met anyone who actually “lives” there year-round or calls it their original homeland.

There is no authoritative guidebook or CIA fact book about this foreign place – although to some it may seem one is necessary. A lot of people THINK they understand musicians, sometimes, but at other times must be content to shrug their shoulders, shake their heads and walk away, puzzled and confused.

Think of this as the beginning, then, of a travelogue, a descriptive narrative of these travels to the land of music. Because music, especially singing, CAN transport you to another place, where your body, mind and spirit are entirely wrapped up in a universal current. The danger is that when you come back from that place, you cannot communicate what you found there, because it does require a different language, a non-language. And getting back there is hard. It is tempting, so tempting, to fake your passport to that land, or at least grease a few officials’ palms, by artificial means. But those artificial means only make you think everyone else understands you while you’re there. And then, at some point, the artificial means can betray you, leaving you standing at the border only able to look in, but not cross over.

10 SEP 2014

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