Communication for a New Age

This is primarily an intro to several chains-of-thought that make up the bigger picture. They probably will not be chained together in this way once each of them has been fleshed out a bit more.

Each historical age is determined by the predominant societal position given to the individuals, groups, nations or empires that can produce or have the resources to acquire whatever substance that age equates to its varied definitions of power. The Bronze Age – whoever could make the most bronze weapons and tools was the predominant culture; The Iron Age – same scenario, different metal. Once societies ran out of harder or more workable metals, they had to pause and re-evaluate their priorities. As a result, we had the Dark Ages – whoever could keep the most people in the dark about their own potential and thereby utilize the brawn of the world without the cumbersome benefit of its brain; the Industrial Age – the period during which those who appeared to be the most industrious were valued, when how much you had really first became more important that what it was you had so much of; the Computer Age – that period of time after we figured out we could get someone else to do the thinking for us, and ending just before the period of time when we began to realize we couldn’t tell the difference; and finally, we are in the midst of what some are calling the Information Age. Of course, because there are so many of us in this world now, and each of us more or less autonomously by consensus creates, borrows, buys, steals, inherits, creates, is allowed, is deluded into, or avoids their own separate, unique and individual opinion on the subject, whether we are at the beginning, in the middle, or nearing the definite conclusion of the information age is highly subjective.

My belief is that we are near the end of the Information Age; and that means that a new age is on the imminent horizon. I will outline my reasons for this belief, both in its ceasing to exist and clearly waiting to exist aspects, in a while. For now, let me just skip forward to my conclusion: The next age we are about to enter is the Wisdom Age, and unless we start thinking about gathering some of it together now, you and I and a lot of people on this planet are going to be on the bottom of the food chain, socially speaking.

The first question I would put forward to anyone I encountered in this new age would not be, “Do you speak MY language, stranger,” but rather, “Can you sing in your OWN (language)?”

At the conclusion of my initial interrogative statement I would commence to demonstrate a song of my own devising, in my own language. If there was no reply in kind, then that person would be required to locate someone of his own kind who could in fact sing a few bars. If that individual was willing to teach the first “stranger” something of the way of singing, then improvement of that culture could continue. Of course, there would be attempts, in the beginning of the age, where some would try to get others to sing on their behalf (which would of course give credibility to the singer and only by association improve the standing of the employer in some respects, and lower their believability in other respects), or would learn, by rote, someone else’s songs and try to bluff their way through (of course, a true singer would know that the song was not of the singer’s creation, and would know something was false in the communication). But this would rapidly prove the exception.

After the first exchange of songs in each of the singer’s native languages, translation of ideas and other information could ensue. Without a meeting of equals, an individual or group, no matter how extensive or impressive or overwhelming their other assets, had no basis for transacting communication and no wise way of achieving that objective. Unless two individuals can understand,
through that shared experience of each other’s inner being that singing your own song weaves into reality, what really is important to the other person, there is no fair, equitable, honest, open, profitable or moral grounds for business, trade, marriage, treaty, alliance, division, disagreement, censorship, condemnation, ridicule, friendship, religion or warfare – in short, none of these partnership activities can occur. If you want any of those things but can not get your songs in order, you just have to wait. You’re obviously not ready for whatever it is you think you want. So you have time to work on your song and get it together.

Maybe this will help put things into a bit of perspective:

Imagine walking down the sidewalk on an early spring morning, a light mist still hanging in the air in the coolness of the day. You could be in a metropolitan area, or out in the middle of the desert (of course, the construction and very nature of your sidewalk will vary depending on that first choice). There could be thousands of other people involved in this selfsame activity, or you could be the only one. For the sake of this illustration, imagine yourself and at least one other person who will become aware of your presence at about the same time you gain awareness of them.

Now imagine that instead of having a set of headphones on your head that is fed from Sony Walkman, you are accompanied in the open air by a group of between two and six musicians, all accompanying themselves using whatever acoustic (that is, non-electrically powered) instruments, devices, accessories, tools best describe and reproduce the music that describes you. This may take a while to imagine, and of course, at different times, the group may be composed of different and perhaps interchangeable individuals and/or attachments. Chances are you’ll have several varying groups, but at least one or two. Now imagine the body of work that they might perform. It might be songs from the radio, ambient sounds, religious hymns, classical works, etc., etc. At least one of the songs must be an original work (exactly how original is always going to be a problem, it always has been, but I think the nature of the problem will probably change in the future), the performance of which you take an active part whenever it comes into rotation, or by request, whichever comes first. Since this discourse will get confusing unless we somehow divide its parts into recognizable segments, let’s call this first imaginary product in the course of this analogy “The Soundtrack of Your Life.”

Don’t worry if you think you might have left something out – there’s going to be ample opportunity in the future to expand your repertoire.

15 MAR 2005

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